Like I mentioned, when you make a movie about a DJ - a movie, not a radio special - you gotta fill the screen with something. And one easy way for some good looking visuals is to go to the record closet for some close up's of 78 RPM records from the 1950's, the 50's being the tail end of the 78 record as pop artifact.
Longtime Atlanta editor, from the earliest R.E.M. videos to to Norah Jones Live In New Orleans, with 56 episodes of Space Ghost Coast To Coast in there along the way.
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